The Usopp Gallery segment, showcasing handpicked fan art submissions within each volume of One Piece, recently received an update with the release of Volume 108 in Japan on March 4, 2024.
The translated guidelines now state: “The submissions we accept cannot include: works that imitate third parties other than those of Mr. Oda, works that infringe on the copyright or copyrights of third parties.
Furthermore, any painting method can be used for the submitted works, but please do not use AI to generate the works,” the statement emphasizes.
In recent times, there’s been a notable discussion surrounding AI-generated artwork, spurred by software like DALL-E and Midjourney. These tools have sparked debates, particularly regarding copyright infringement.
Controversy Surrounding AI in One Piece
They operate by gathering a vast array of images, often without obtaining permission from the copyright owners. While the images produced may not overtly mimic any particular style, artists have faced various challenges, including ridicule, threats to their livelihoods, accusations of plagiarism – as exemplified by the case of the Slayers mangaka Rui Araizumi – and more.
The intersection of AI and art has provoked strong reactions within the creative community. Some view it as a revolutionary tool, offering new avenues for artistic expression and exploration. Others, however, raise concerns about the implications for originality, creativity, and the livelihoods of traditional artists.
The Usopp Gallery’s updated guidelines reflect a stance against the use of AI-generated works within its submissions. This decision underscores the ongoing dialogue surrounding the ethical and legal implications of AI-generated art. It highlights the importance of respecting copyright and preserving the integrity of artistic creation.
Interestingly, this discussion extends beyond One Piece fan art. Recently, an animator associated with the official One Piece anime responded to a viral thread on the social media platform X (Twitter) discussing AI-generated art. The animator’s response served as a poignant reminder of the value of human creativity and craftsmanship in the artistic process.
As technology continues to advance, it’s likely that discussions surrounding AI-generated art will persist. Finding a balance between innovation and ethical considerations will be essential in navigating this evolving landscape.
In the meantime, the Usopp Gallery’s stance provides a clear directive for those participating in the fan art community within the One Piece universe.
Eiichiro Oda’s Experimentation and the Netflix Remake
Despite the recent stance against the use of AI in the Usopp Gallery submissions, Eiichiro Oda, the creator of One Piece, has found himself embroiled in several controversies regarding its utilization.
In the past, Oda has showcased instances where AI was incorporated into his creative process. This includes sharing a video on X (formerly Twitter), where he employed ChatGPT to suggest ideas for a new chapter.
Additionally, Oda ran his artwork of the character Rob Lucci through an AI filter and even used an AI program to compose and write lyrics for a song related to One Piece, which drew significant backlash from fans.
Meanwhile, the anticipation surrounding The One Piece anime remake by Netflix and WIT Studio has been further fueled by hints of AI utilization in its production
. The press release suggests that AI technology will be integrated into the animated production process, raising questions and discussions within the fan community about the implications and potential impact of AI on the beloved series.
One Piece Volume 108, containing chapters up to Chapter 1100, offers readers an exciting continuation of the saga. Shueisha’s official description teases a gripping plotline where Luffy and his companions attempt to evade capture by Egghead, only to find themselves surrounded by a formidable navy fleet led by Admiral Kizaru.
The volume promises an unprecedented scale of conflict, with the involvement of a member of the Gorosei adding further intrigue to the narrative.
Furthermore, Volume 108 provides readers with insightful tidbits, including revelations about the origins of Luffy’s named attacks. Additionally, fans were treated to a playful parody video created by absurdist animator Onkun Suko, adding a touch of whimsy to the release.
As the One Piece universe continues to expand and evolve, fans eagerly await further developments in both the manga and anime adaptations, while remaining attentive to the ongoing discussions surrounding the integration of AI technology in creative processes.
