What is Emily Hampshire’s Net Worth? The name is familiar for sure! She is Angelina of the 1998 romantic comedy Boy Meets Girl. Emily Hampshire is a Canadian actress. Her other notable roles include the following. Emily had served by playing her part as Vivienne in the 2006 film Snow Cake. Then as Jennifer Goines in the Syfy drama series 12 Monkeys, from 2015 to 2018. Followed by her role as Misery in Ruby Gloom and then as Stevie Budd on the critically-acclaimed CBC comedy series Schitt’s Creek, from 2015 to 2020. Through this, she had managed a spotlight for her successful career.
Along with her career as an actor, Emily Hampshire is also a writer as well as a producer. Sources say that Emily Hampshire had achieved more than eighty acting credits to her name. In 2020, Emily had written and produced the web series “Humpday with Hampshire.” Also, in early 2021, the news was broken out that for Sony Pictures Television, she would be starring in, producing, and co-writing a reboot of “Mary Hartman, Mary Hartman”. Her journey was filled with a variety of adventurous paths. Her successful career had helped her to earn a huge Net Worth. So, what is Emily Hampshire’s Net Worth?
Emily Hampshire Net Worth
Emily Hampshire had managed to earn a healthy Net Worth of around $3 Million. Her main source of income comes from the passion which she has for acting. Since 1996, Emily Hampshire has been professionally active in the Canadian film and television industry. Her early appearance includes the following. She was starred in the Canadian series This Space For Rent, then Carl, and followed by Northern Town. Her early success approached her feet when she played the role of Margaret in The Life Before This. It was a featured film which was directed by the talented Jerry Ciccoritti. And to its potential, in the year 1999, it was premiered at the Toronto International Film Festival.
In the 2006 romantic comedy, It’s a Boy/Girl Thing, Emily Hampshire was featured alongside Kevin Zegers and Samaire Armstrong. In this, she had played the character of Chanel. Followed by her appearance in 2009 in The Trotsky as Leon Trotsky’s love pair Alexandra. Then in 2010, she stepped up another stair towards her destination. She was starred in the Canadian indie film, Good Neighbours. Along with this, Emily Hampshire is also a voice actor.
A more deep study of her career
She had given her voice to the character Misery on the animated series Ruby Gloom. Then Diana Barry in Anne of Green Gables: The Animated Series had adopted her voice, followed by Chloe Crashman in Carl Squared. Then Starr in 6Teen. And finally, Alyson Malitski in Braceface. Her journey had received the golden wings on 23rd May 2012. And it is because on this day, in Cannes, France, Emily Hampshire and a peer actress Sarah Gadon was honored with the first Birks Canadian Diamond award. It was during Telefilm Canada’s inaugural Tribute to Canadian Talent press event and reception.
In 2012, she was featured as Jane Melman on David Cronenberg’s Cosmopolis. Emily had also co-starred in Sean Garrity’s comedy film My Awkward Sexual Adventure. This had landed her with a positive critical notice. To her fortune, Emily Hampshire was selected the very same year in the cast of a futuristic-zombie film, The Retuned.
Emily Hampshire was born on 29th August 1981 in Montreal, Quebec, Canada. She was an early bird when it came to developing an interest in the field of acting. Emily was just eleven years old when she thought of making a career in this field. Sources say that the inspiration behind her interest was a performance of Les Miserables that she had attended along with her mother. Sources also claim that her vice-principal had played a significant role in her life. During a school theatre production, the vice-principal of her all-girls Catholic school had given Emily Hampshire a dream to follow. And she did this by praising her performance. She was accepted into the American Academy of Dramatic Arts shortly after high school, but she had never attended. The reason which she had given was that it conflicts with a film opportunity.