A company’s internal directive urging employees to vote for the CEO’s daughter on the girl group audition program “I-LAND 2” has ignited controversy and accusations of abuse of power. On May 9, 2024, online communities were abuzz with claims that employees received a notice urging them to participate in voting to support the CEO’s daughter, a participant on Mnet’s “I-LAND 2.”
The notice, addressed to all employees, requested voting support for “Ms. A,” the daughter of Mr. OOO, the company’s CEO, who is competing on the popular audition show. While the notice did not explicitly mandate voting, it advised employees to vote once daily during the voting period from May 3 to May 12. The company’s attempt to rally support for the CEO’s daughter also extended to playing the show’s theme song loudly in the office and pantry areas.
Netizens swiftly condemned the company’s actions, alleging coercion and abuse of power by leveraging employees’ roles to boost votes for the CEO’s daughter. Many expressed concern that employees might feel obligated to vote for fear of career repercussions despite the voluntary nature of voting.
Comments from online forums reflected a mix of criticism and humour regarding the situation:
- “Isn’t this an abuse of power?”
- “Wouldn’t there be a scandal if she debuted after this?”
- “They should have offered bonuses if she debuts!”
- “This is not a task employee should be obligated to do.”
- “The CEO should show sincerity with handwritten letters if they want employee support.”
Meanwhile, the production team of “I-LAND 2” has reassured viewers of the fairness of the voting process, emphasizing external verification to prevent manipulation. The program, a collaboration between CJ ENM and K-pop producer Teddy, aims to form a 12-member girl group from 24 trainees under the entertainment agency WAKEONE.
The controversy underscores broader concerns about transparency and ethical behaviour in influencing public voting for entertainment shows. As discussions continue online, fans and netizens await further developments and hope for fair treatment of contestants and viewers alike in Korean entertainment.
