TOMORROW X TOGETHER (TXT) member Yeonjun has officially made a monumental comeback as a solo artist, setting brand-new benchmarks for Korean soloists in 2026.
On July 10 at 1:00 p.m. KST, the singer released his highly anticipated second solo mini album, titled “NO LABELS: PART 02”.
Within just twenty-four hours of its global release, the album demonstrated immense commercial force, instantly smashing Yeonjun’s personal records and establishing him at the top of music sales charts.
The immediate demand for the release underscores Yeonjun’s expanding global influence as both an idol group member and a standalone solo performer.
According to official data tracking figures, the album managed to surpass his previous total first-week record in just a fraction of the time, signaling a massive surge in his fanbase’s purchasing power and global outreach.

Record-Breaking Hanteo Chart Performance
According to figures reported by the Hanteo Chart, Yeonjun achieved the highest first-day sales volume of any Korean soloist released in the year 2026.
On its very first day on sale, “NO LABELS: PART 02” sold an astounding total of 661,924 copies.
This single-day achievement officially broke Yeonjun’s previous personal first-week sales record of 601,105 copies- a benchmark originally established by his debut solo mini album, “NO LABELS: PART 01”, in 2025.
By surpassing his entire seven-day career high in just one day, Yeonjun has demonstrated remarkable exponential growth as a solo act.
With the tracking period continuing through July 16, music industry analysts and fans are closely watching to see how much higher his first-week total will reach.
Global and Domestic Chart Domination
Beyond physical album sales, “NO LABELS: PART 02” and its primary title track, titled “Ice Cream”, immediately swept digital streaming and download charts both in South Korea and internationally.
BIGHIT MUSIC reported that by 10:00 a.m. KST on July 11, the mini album had already reached the No. 1 spot on the iTunes Top Albums charts in at least 11 different regions worldwide, including major music markets such as Japan, Thailand, and Saudi Arabia.
Simultaneously, the lead single “Ice Cream” made a major digital splash.
The song secured the No. 1 spot on the iTunes Top Songs chart across at least 10 different regions, including the United Arab Emirates, Vietnam, and the Philippines.
Domestically, “Ice Cream” made an instant impression on South Korean real-time music streaming platforms, debuting directly at No. 1 on the Bugs real-time chart on July 10 at 2:00 p.m. KST, just one hour after its official release.
