Miyazaki Is Not Too Happy About Receiving The Prestigious Palme d’Or At The Cannes Film Festival

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Hayao Miyazaki (Left), A Still from 'The Boy And The Heron' (Right)

Studio Ghibli is currently enjoying some of its greatest successes, but creator Hayao Miyazaki believes the golden age of Japanese animation has passed.

With The Boy and The Heron earning major accolades and becoming one of the studio’s biggest box office hits, the anime industry’s popularity has surged. It seems anime’s future could be boundless, but Miyazaki’s perspective offers a sobering counterpoint.

Speaking with 20 Minutes in France during the Cannes Film Festival, where Studio Ghibli received an Honorary Palme d’Or, Goro Miyazaki shared his father’s thoughts on the award.

Goro Miyazaki (Left) and Kenichi Yoda (Right), represent Studio Ghibli at Cannes Film Festival

Although Hayao Miyazaki appreciated the recognition, he saw it as a symbolic end to his career, despite planning another Studio Ghibli project. Goro conveyed his father’s sentiment: “He was delighted, but he feels that the golden age of anime is over. He feels that this award symbolizes the end of his career.”

This surprising statement from one of the medium’s most influential figures has certainly sparked conversations among fans.

As anime enjoys a global boom, with increasing demand for TV shows and feature films, the industry’s rapid growth might be creating an unsustainable “bubble.”

A Still from ‘The Boy And The Heron’

Production schedules have tightened, and studios face greater pressures, often leading to harsh working conditions for artists. This intensified demand could strain the industry, potentially bringing this prosperous era to an end.

Miyazaki’s reflection on the golden age of anime serves as a reminder that while the genre is thriving now, its future may face significant challenges. Fans and creators alike must consider these implications as anime continues to evolve.

Verified since 2021 Senior Content Writer

Vaishnavi Kamble is a Senior Content Writer at OtakuKart specializing in anime and gaming, with a particular niche in manga creator profiles and behind-the-scenes industry interviews. Her work covers the personal journeys of major mangaka — from Isayama's exhaustion over Attack on Titan to Tite Kubo's near-abandonment of Bleach — currently pursuing her master's in economics.

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