Manga Piracy Sites Make Industry Lose Out On Over $2 Billion USD in Damages

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Yuji (Pictured left) fights Mahito in the 'Jujutsu Kaisen' Manga (Credits: Gege Akutami), Tanjiro Kamado hugs Rengoku in his final moments (Right) (Credits: Ufotable)

Piracy has long been a thorn in the entertainment industry, particularly in manga. Despite advancements in technology that make legal simulpublications more accessible, piracy remains a significant issue. A recent report reveals that manga piracy cost the industry a staggering $2.4 billion USD in 2023.

The Agency for Cultural Affairs of Japan highlighted this concerning figure at a meeting focused on anti-piracy efforts with ABJ.

Sakamoto (left) Akao (Middle), and Nagumo (Right) from ‘Sakamoto Days’ Manga (Yuto Suzuki)

They noted a rapid increase in pirated manga sites, with new ones cropping up at an alarming rate, particularly over the past six months. The top ten piracy sites in Japan alone are collectively racking up over 100 million visits monthly.

The agency expressed the urgency of taking robust anti-piracy measures alongside industry stakeholders. They emphasized the growing malicious trend and stressed the need for ongoing efforts to combat piracy.

An illustration for ‘Kagurabachi’ the Manga, featuring Chihiro Rokuhira (Takeru Hokazono)

Despite publishers’ efforts, such as lawsuits and DCMA takedowns, and the global launch of simulpublication apps, piracy continues to impact both the manga industry and its readers.

This massive financial blow doesn’t just affect industry leaders but also editorial staff and readers. Publishers like Shueisha and Kodansha have been at the forefront of the fight against piracy, yet the latest data underscores that piracy remains a formidable challenge for manga.

Verified since 2021 Senior Content Writer

Vaishnavi Kamble is a Senior Content Writer at OtakuKart specializing in anime and gaming, with a particular niche in manga creator profiles and behind-the-scenes industry interviews. Her work covers the personal journeys of major mangaka — from Isayama's exhaustion over Attack on Titan to Tite Kubo's near-abandonment of Bleach — currently pursuing her master's in economics.

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