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She Loved Blossoms More Review: Yannis Veslemes Crafts a Hypnotic Sci-Fi Tale That Blooms Too Late
Few directors embrace the absurdity of loss quite like Yannis Veslemes. With She Loved Blossoms More, the Greek writer-director takes grief, one of…
A House of Dynamite Review: Kathryn Bigelow’s Nuclear Thriller Misfires Despite a Stellar Cast
Few topics in cinema evoke both dread and absurdity like the nuclear standoff. The atomic age birthed stories of existential panic, from…
The Serpent’s Skin Review: Alice Maio Mackay’s Queer Fury Finds Magic in Horror
At just twenty-one, Australian filmmaker Alice Maio Mackay has achieved what most artists spend decades attempting: an instantly recognizable voice. Her work…
Shell Review: Elisabeth Moss Shines in a Slick but Shallow Beauty Horror
Now and then, a film comes along that turns Hollywood’s obsession with beauty into its own monster. Shell, directed by Max Minghella,…
Play Dirty Review: Mark Wahlberg’s Heist Thriller Misses the Mark
If any filmmaker was expected to revive the witty, adrenaline-filled heist genre, it was Shane Black. Known for The Nice Guys and Iron Man 3,…
Casper Turns 30: Why the Friendly Ghost Still Warms Every Halloween Heart
October marks the time when pumpkins glow, cobwebs hang from every porch, and audiences revisit beloved Halloween classics. This year’s lineup features…