BABYMONSTER’s “CHOOM” Hits 200 Million Views, Becomes Group’s Seventh Music Video to Reach Milestone

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BABYMONSTER’s “CHOOM” (Photo via YouTube)

BABYMONSTER has achieved another major YouTube milestone!

The K-pop girl group’s music video for “CHOOM” has surpassed 200 million views, marking the seventh music video in their career to reach the impressive figure.

The achievement further highlights the group’s growing international popularity and the strong response to their latest musical releases.

According to YG Entertainment, the music video crossed the 200-million-view mark on October 12, 2026, at approximately 9:30 a.m. KST.

Released on May 4, 2026, “CHOOM” took just over five months to reach the milestone, adding another achievement to BABYMONSTER’s expanding collection of highly viewed music videos. citeturn642407news0turn642407search11

The latest record comes as the group continues to build its global presence through music releases, striking visuals, and live performances.

With MONSTIEZ celebrating the achievement across social media, “CHOOM” has given BABYMONSTER another reason to celebrate their growing catalogue.

“CHOOM” Joins BABYMONSTER’s Seven Music Videos With 200 Million Views

With “CHOOM” surpassing 200 million views, BABYMONSTER now has seven music videos that have reached the milestone.

The other six are “BATTER UP,” “SHEESH,” “DRIP,” “FOREVER,” “WE GO UP,” and “PSYCHO.”

The achievement places “CHOOM” among the group’s most successful releases on YouTube.

Since its release, the music video has attracted attention for its dynamic choreography, large-scale group dance sequences, and visually striking sets.

The video complements the song’s energetic sound with powerful performances from the members, combining coordinated choreography with distinctive styling and cinematic visuals.

Its presentation allows the group’s individual personalities to stand out while maintaining the synchronized performance style that has become an important part of BABYMONSTER’s identity.

“CHOOM” is the title track of BABYMONSTER’s third mini-album, released in May 2026.

The music video gained strong attention immediately after its premiere, reaching the top of YouTube’s worldwide trending chart and performing well on the platform’s popular music video rankings. 

The latest milestone demonstrates the continued interest in the group’s music and gives fans another achievement to celebrate as BABYMONSTER expands its international audience.

BABYMONSTER’s “CHOOM” (Photo via YouTube)

BABYMONSTER Continues to Build Global Momentum With “CHOOM”

The success of “CHOOM” extends beyond its official music video.

The song’s performance video, which places greater emphasis on the members’ dancing and stage presence, has also attracted considerable attention from viewers.

The two videos offer different ways to experience the track: the official music video emphasizes its visual concept and storytelling, while the performance version highlights the choreography and the members’ individual dance styles.

BABYMONSTER has also continued to connect with international fans through its ongoing 2026–2027 world tour, titled “[CHOOM].”

The group’s concert schedule includes stops across Asia and Oceania, with additional performances planned for Europe, North America, and South America. 

The tour provides another opportunity for the members to perform their music for audiences around the world, while their YouTube achievements continue to introduce their songs to new listeners.

For MONSTIEZ, the 200-million-view milestone represents another celebration of BABYMONSTER’s progress since debut.

With “CHOOM” becoming the group’s seventh music video to cross the figure, the members have added another significant accomplishment to their growing list of digital milestones.

As BABYMONSTER continues its international activities, fans will be watching to see how far “CHOOM” climbs on YouTube and what achievements the group reaches next.

Verified since 2022 Senior Content Writer

Jung Min-gyu is a Senior Content Writer at OtakuKart specializing in K-pop market analytics and fan culture dynamics. He tracks digital streaming metrics, social engagement patterns, and international chart performance, frequently reporting on survival shows, trainee systems, and cross-border collaborations.

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